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Final cut pro analyze for balance color1/28/2024 ![]() ![]() Two images are displayed in the Viewer, along with a message at the bottom saying click the frame you want to match. The keyboard shortcut is Option+Command+M. To match color between two shots, select the clip with bad color, then, go back to the Magic Wand menu and select Match Color. To disable or remove, this correction, uncheck Balance Color.Īs you can see, this improves the color, right image, but it still doesn’t match the richness of the first shot in our sequence. To correct problems in exposure or color cast, select Balance Color from the Magic Wand menu (Apple calls this the “Enhancements menu.”) The keyboard shortcut is Option+Command+B. Select the clip in the Timeline that has color problems. This displays the Background Task monitor. NOTE: You can monitor the status of analysis by either typing Command+9 or clicking the small “clock” in the Dashboard. You don’t need to wait for analysis to finish before editing the clip.) (As soon as analysis starts, you can edit the clip to the Timeline as normal. To analyze clips in the Event Browser, select the clip, or clips, and choose Modify > Analyze and Fix.Ĭheck Analyze for Balance Color (the grammar of that sentence continues to set my teeth on edge) and click OK. That saves time and disk space, without waiting until the last minute to analyze my clips. While I do NOT analyze during import, I do analyze after I have a sense of what clips I want to edit into my sequence. Remember, analysis runs in the background. If you don’t analyze a clip before editing it to the Timeline, when you color correct an unanalyzed clip in the Timeline FCP X looks only at the color values of the frame at the position of the playhead, or, if the playhead is not in the clip, at the color values of the frame at the exact middle of the clip.įor this reason, spending a little bit of time analyzing the clips you want to color correct before editing them into the Timeline is a really good idea. Analysis can only be performed on clips in the Event Browser.Īnalysis looks at the grayscale and color values of the entire clip. ![]() While you can color correct a shot at any time, it is best to have FCP X analyze the clip BEFORE you edit it to the Timeline. ![]() The left picture looks great, while the right picture is blue/green and washed out. Here’s the problem: the color is way off in this case, between two model train shots. This color correction technique isn’t perfect, but it is REALLY fast and gets you close enough to keep your job. But, you don’t have time for a complete color grade – in fact, the video scopes are pretty much of a mystery. You know the drill… The deadline is crashing down around you and one of your clips was shot by a color-blind orangutan and it is ruining your entire opus. ![]()
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